Monday, July 5, 2010

Boudoir Session: Miss R*

*Real names are never used to protect our sexy clients from the prying eyes of Google

So here are some images from Miss R's recent boudoir shoot. Like most of our clients Miss R's images were commissioned as a gift for her husband. Miss R chose to do her entire shoot in our studio - so we got to find out just how many sets we could make in one room! Miss R brought a ton of great outfits to the shoot - it was the first time I've used motorcycle gear and steel toed boots in a boudoir shoot.


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And The Slideshow:

Friday, July 2, 2010

How To Take Pictures Of Fireworks

Well the 4th of July is coming up quick so I thought I would post my top ten tips for shooting fireworks along with a few of my images from last year's show in Comanche.

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1. Use a Tripod

The most important tip is to secure your camera to something that will ensure it doesn’t move during the taking of your shots. This is especially important in photographing fireworks simply because you’ll be using longer shutter speeds which will not only capture the movement of the fireworks but any movement of the camera itself. The best way to keep your camera still is with a tripod.

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2. Use a Remote Release

One way to ensure your camera is completely still during fireworks shots is to invest in a remote release device. These will vary from camera to camera but most have some sort of accessory made for them. The other way of taking shots without touching your camera is to use the self timer. This can work but you really need to be able to anticipate shots well and its very very hit and miss.

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3. Plan How To Frame Your Shot

One of the most difficult parts of photographing fireworks is working out where to aim your camera. The challenge you’ll face in doing this is that you generally need to aim your camera before the fireworks that you’ll be photographing goes off – anticipation is key. Here are a few points on getting your framing right.


Scope out the location early – Planning is important with fireworks and getting to the location early in order to get a good, unobstructed position is important. Think about what is in the foreground and background of your shots and make sure you won’t have people’s heads bobbing up into your shots (also consider what impact you’ll have on others around you also). Take note of where fireworks are being set up and what parts of the sky they are likely to be shot into – you might also want to try to ask some of those setting up the display for a little information on what they are planning. Also consider what focal lengths you might want to use and choose appropriate lenses at this time (rather than in the middle of the show).

Watch your Horizons - One thing that you should always consider when lining up fireworks shots is whether your camera is even or straight in it’s framing. This is especially important if you’re going to shooting with a wide focal length and will get other background elements in your shots (ie a cityscape). As you get your camera on your tripod make sure it’s level right from the time you set up.

Vertical or Horizontal? – There are two main ways of framing shots in all types of photography, vertically (portrait) or horizontally (landscape). Both can work in fireworks photography but I personally find a vertical perspective is better – particularly as there is a lot of vertical motion in fireworks. Horizontal shots can work if you’re going for more of a landscape shot with a wider focal length of if you’re wanting to capture multiple bursts of fireworks in the one shot.

Remember your framing – I find that when I photograph fireworks that I spend less time looking in my viewfinder and more looking at the sky directly. As a result it’s important to remember what framing you have and to watch that segment of the sky. Doing this will also help you to anticipate the right time for a shot as you’ll see the light trails of unexploded rockets shooting into the sky.

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4. Change Up Your Focal Length

One of the hardest parts of photographing fireworks is having your camera trained on the right part of the sky at the right time. This is especially difficult if you’re shooting with a longer focal length and are trying to take more tightly cropped shots. I generally shoot at a wider focal length than a tight one but during a show will try a few tighter shots (I usually use a zoom lens to give me this option) to see if I can get lucky with them. They enable you to really fill the frame with great color.

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5. Use A Small Aperture

A common question around photographing fireworks displays is what aperture to use. Many people think you need a fast lens to get them but in reality it’s quite the opposite as the light that the fireworks emit is quite bright. I find that apertures in the mid to small range tend to work reasonably well and would usually shoot somewhere between f/8 to f/16.

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6. Use A Slow Shutter Speed

Probably more important to get right than aperture is shutter speed. Fireworks move and as a result the best photographs of them capture this movement meaning you need a nice long exposure. The technique that I developed when I first photographed fireworks was to shoot in ‘bulb’ mode. This is a mode that allows you to keep the shutter open for as long as you hold down the shutter (preferably using a remote shutter release of some type). Using this technique you hit the shutter as the firework is about to explode and hold it down until it’s finished exploding (generally a few seconds).

You can also experiment with set shutter speeds to see what impact it will have but I find that unless you’re holding the shutter open for very long exposures that the bulb technique works pretty well.

Don’t keep your shutter open too long. The temptation is to think that because it’s dark that you can leave it open as long as you like. The problem with this is that fireworks are bright and it doesn’t take too much to over expose them, especially if your shutter is open for multiple bursts in the one area of the sky. By all means experiment with multiple burst shots – but most people end up finding that the simpler one burst shots can be best.

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7. Shoot With Your Lowest ISO

Shooting at a low ISO is preferable to ensure the cleanest shots possible. Stick to ISO 100 and you should be fine.

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8. Turn off Your Flash

Shooting with a flash will have no impact upon your shots except to trick your camera into thinking it needs a short exposure time. Keep in mind that your camera’s flash will only have a reach of a few meters and in the case of fireworks even if they were this close a flash wouldn’t really have anything to light except for some smoke which would distract from the real action.

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9. Shoot In Manual Mode

I find I get the best results when shooting in manual exposure and manual focus modes. Auto focusing in low light can be very difficult for many cameras and you’ll end up missing a lot of shots. Once your focusing is set you’ll find you don’t really need to change it during the fireworks display – especially if you’re using a small aperture which increases depth of field. Keep in mind that changing focal lengths will mean you need to need to adjust your focusing on most lenses.

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10. Experiment and Track Results

Throughout the fireworks display periodically check your results. I generally take a few shots at the start and check to see that they are OK before shooting any more. Don’t check after every shot once you’ve got things set up (or you’ll miss the action) but do monitor yours shots occasionally to ensure you’re not taking a completely bad batch.

Also experiment with taking shots that include a wider perspective, silhouettes and people around you watching the display. Having your camera pointed at the sky can get you some wonderful shots but sometimes if you look for different perspectives you can get a few shots that are a little less cliche and just as spectacular. Most of the best shots that I’ve seen in the researching of this article have included some other element than the fireworks themselves – whether it be people, buildings, landmarks or wider cityscape perspectives.

Good Luck and Happy 4th!

Wednesday, June 30, 2010

Senior Portraits: Michael

Here is part two of our best friends senior portrait session. Michael and Cameron have been friends for years so we shot their senior portraits together. Everything is more fun when you bring your friends along, plus now when they go off to college they'll have some great pictures to remember their best friend by.

We went all around downtown Brownwood and out to the lake to get some great backgrounds. Michael plays football for Brownwood Highschool so we worked that into his session by using his letter jacket. Plus water guns always make great props especially when you use them to shoot your friend.

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And the Slideshow:

Monday, June 21, 2010

Senior Portraits: Cameron

A while back I got the chance to shoot Cameron's senior portraits. Cameron plays baseball for Brownwood Highschool so we worked that into his session by using his jersey and a bat as props.

Cameron also wanted to have his session done with his best friend Michael so we got some great shots of them together to showcase their friendship. I also made sure we had some fun by giving Michael and Cameron water guns to go after each other with.

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And the slideshow:

Thursday, June 17, 2010

Tea Party Session: Shunna Kay, Emma Kate, + Regan

What could be more fun than an old fashioned tea party? Why one that comes complete with sequined tutus, bubbles, and fluffy strawberry cupcakes with pink icing of course! Shunna Kay, Emma Kate, and Regan had a blast during their Tutu Tea Party Session - the perfect opportunity to capture girly fun in photo form. The pictures came out so cute I couldn't resist adding some Photo Graffiti - a new service we are offering to allow our clients to dress up their photos with hand drawn illustrations!

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And the Slideshow:

Monday, June 14, 2010

Newborn Session: Quads!

I had the opportunity to photograph quads recently and thought I would share some of the results. The images came out great but it's easy when the babies are so cute. We did the shoot in the client's home so we wouldn't disrupt the babies' schedule too much. I'm so lucky I hold these precious little miracles and take their baby pictures!

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And the Slideshow:

Friday, June 4, 2010

Magazine Cover!

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One of my photographs has been featured on the cover of Southwest Flair magazine. It's one my favorite images from Kaitlin's session at the Star of Texas Bed and Breakfast and it accompanies an article about elopements at the Star of Texas. So thanks to Kaitlin for modeling and Kelcy Potts for the fabulous hair and make up! If you want to see the article you can read it here: http://www.southwestflair.com/index.htm